Monday, April 18, 2011

Cowboys vs Aliens or Agents vs Managers?

I’ve decided that I need to sit down and finally answer a question that seems to be on many people’s minds. What’s the difference between agents and managers?


Its no secret that I have a manager and I find working with her to be one of the smartest decisions I’ve ever made.


My day job is at an acting school, and every day a different student asks me the agent vs manager question.


The best response I can come up with is, “Agents help you get jobs; managers make careers happen.”


Now, this statement isn’t entirely true and I’m sure my manger would look at me funny if she read it. But for the most part I find this an accurate description.


Does this mean that everyone young person who wants to work in this business should run out there and get a manager?


Not all managers are created equal.


In the last ten years we’ve seen an explosion of managers pop up. They are highly unregulated and now just about any Tom, Dick or Harry can claim they are a manager.

We are seeing agents from top tier super agencies like CAA & ICM leave to become mangers.

These days’ manger and producer are almost synonymous. (At least with most of the good ones.)

But a word to the wise, there are a lot of people out here who claim to be managers and won't really do anything for you.


There are folks who are mangers where all they do is place their clients with agencies (their friends) and then they collect their 10 percent. (I find that mangers 5 years ago were still asking for 20 percent, but in the last few years that number has gone down to 10.)


Then there are those managers who will hold your hand and be your biggest cheerleader, supportive in your darkest hour.


Finally there are those mangers that produce and really should be viewed as business partners in the company of you.


Also, any manger worth their salt realizes that some clients will be powerhouses if given the opportunity to develop. That takes vision, drive and planning on their part. Developing a client is an investment and some managers are willing to do that.



One has to keep in mind just how much the business has changed. 10-15 years ago I think there were still a lot of agents who had a larger personal investment in their clients. There were still a lot of agents who would take on developmental clients and weren’t afraid of the risk.



Now managers are taking on that risk.


The business has been shrinking. Boutique agencies have been closing and I remember 2-3 years ago when a lot of the top tier agencies were cleaning out their client lists. It was pretty brutal. But it did allow boutiques to then snatch up some bigger name clients.

As more boutiques close, other boutiques take on clients and so on and so forth. You get the picture. Now we have some small agencies with hefty client lists and at least every small agency has a couple of series regulars.


Where does that leave the developmental actor?

It means that 9 times out of 10 they are searching for a manager that is a right fit.


For the record I love my manager.

Best decision I ever made.

Cyd is a business partner and an advisor.

She has a smaller client list than any agency I’ve ever been with and she is invested in the business of me.

I frequently think of my fellow clients in her company as a team, and if one of us does well, that opens doors for the rest of us.


She is helping me to attain my bigger picture.

I do feel I need to very clear, I might be a bit different than a lot of people. I started writing again a few years ago and I am now sitting on a lot of literary property. I also have my own theatre company. I have plays, TV Pilots, a few film properties, some ideas for a young adult series of books along with other ideas for properties.

In addition to my legit career I also have a lucrative commercial career.

In short, I have stuff to manage. (After this last tax season I'm finally thinking about incorporating and opening up my own production shingle . . . crazy I know.)


I need help navigating these waters and keeping my eye on the prize.


One of the greatest things about my manager is that she is my friend as well as my business partner and we are invested in each other - both personally and in business. When I run the ING New York Marathon she's going to be there. When I get married she's going to be there. (She better be or I'll kill her.) And when I'm finally a show runner, she'll be there. (I'll need someone to tell me what to do.) In turn I care and want to know what her kids are up to, who the dog has peed on today, seriously critique her vacation itineraries and mock her taste in bad movies.(I have to be careful on that last point, my taste isn't so hot itself.)

Is she this way with every client? I don't know and I don't care. The point is she's this way with me. If I were a boxer she'd be my trainer, my cut man and setting up my next fight. She's in my corner and I'm in her's.



I think that’s a key element of why I love my manager. I’m just as invested in her and her company as she is with me. I plan on being in business with her until she retires. (Or kills me, which ever comes first.)

Do we have fights?

You bet, but that’s what happens in creative endeavors. Whenever passionate people come together to do something great there are going to be strong, colliding points of view.

That's life in a creative business.

That's art.



In closing, are mangers for everyone?

That's depends upon you as a person and an artist.

I didn't think I would ever have a manager.

I thought they were silly and unnecessary.

I couldn't have been more wrong.



But I'm willing to admit my mistakes. I'm also willing to let my point of view change and reshape itself. In this business if you don't evolve and grow you end up in trouble. (Just look at the internet as a prime example). I'm glad I was willing to change my mind. Best thing I ever did.


Sunday, April 10, 2011

26.2 Miles Scare Me

I'm back.
I know I've said this before. I'm going to post more, etc.
But this time I mean it.
I had a huge lay-off because I was producing theatre in NYC.

I've been producing back to back to back projects. The first was a radio adaptation I did with my pal Chris of MIRACLE ON 34TH STREET.

I took the radio version, cut heavily and then wrote a play to go in and around it. I set it at a radio station in 1963 since that was the year more televisions were sold than radios.
Due to studio cut backs with the advent of television this is the last opportunity they have to put on the production.

I like radio plays. There is something magical about them. I think I'm going to adapt SLEEPY HALLOW for my next radio play. Set it at this mythical radio station again.

As soon as we put that up for the holidays I had to get to work on not one, but two scripts that would be going up off-off Broadway. I was also in both of them and acting as a producer and directing a bit.

Holy crap.

It was too many hats to wear. I look forward to having a play done where I get to just be the writer. Heck I'll even write and act, since that's fun. But this last time I was doing too much.

But that's a Dark Luna structural problem and not something I will bother you with here.

I don't mean to change gears . . . but I must.

My first road race of the season is next week.
As many of you know I qualified for the ING NY Marathon by running in 9 New York Road Runner Races and volunteering at one event. So this racing/running season for me is all about the prep work for the marathon.

26.2 miles scares me. 13.1 is nothing. It's no big deal, but 26.2 is a whole different taco all together.

My training schedule right now is insane. It leaves me most nights crawling into bed at 10 PM to pop up awake at 6:30 AM. Right now I'm at one speed work day, one hill day, two easier runs and a long run. On top of that I'm still training Brazilian Jiu Jitsu twice a week and I'm getting in two lifting days.

Did I mention I work a job and still find time to audition and write?

At least my girlfriend is super supportive. It would be hard to put this much time into things without her being supportive.

The trick right now is getting my body to adapt to the work load. I just came off the shows and I was scaling the work load in the gym back a lot. I was still in the gym 5 days a week, but the effort was different.
Now I kill myself every day and "leave my heart out on the mat" if I may use an old wrestling expression. Every work out I make sure at the end I can ask myself the hard question, Did I do my best?
My answer is always, Yes.

I am faster than I've ever been before. Much faster than last year. I'm also stronger. Now the trick is going to be if I can increase my mileage to where it needs to be and still keep that strength and speed while staying injury free.

I'm also trying to get my weight down. Well more down that it has gotten. I'm hoping it will be a by-product of all the work I'm doing.

I'm must worried about this many miles on my frame. So let's hope as my long runs get longer, more pounds fall off.

My goal is another 20 pounds at least by the Marathon in November. I think I will get there. I just have to recover smart, know my limits and sleep. Sleep and rest I know have been the biggest things holding me back. I've writing down how many hours I sleep a night in my training log. I hope the accountability will help.

Ok, time to do my Sunday long run.

Until next time true believers . . .